One answer that ties into the theme of the ELO 2012 conference is that such access and proximity to artists and their work raise my awareness of the affordances and constraints bound up in the technologies we use to produce our work...
-Dene Grigar, "Curatorial Statement"
The 2012 Media Art Show took place with the Electronic Literature Organization's conference titled "Electrifying Literature: Affordances and Constraints" in Morgantown, WV from June 20-23. It showcased more than 55 artists of Electronic Literature and its website is a great companion to the Electronic Literature Collections (Volume 1 & Volume 2) because "in addition to selecting 43 outstanding works for the Media Arts Show (from a pool of 106 submissions), the curators arranged for a Jury’s Choice Award and five Retrospectives (which add about 48 more works to the show) to honor both outstanding new pieces and the body of work of some of the most talented practitioners of electronic literature, respectively" (Flores, "The ELO 2012 Media Arts Show: A Retrospect").
There’s an open CFP to cover the works not yet reviewed. Contact the editor if you’re interested in writing about one of these works.
URL:http://dtc-wsuv.org/elit/elo2012/elo2012/Welcome.html
Publisher:Electronic Literature Organization
Curators:Dene Grigar and Sandy Baldwin
Years of Publication:2012 |
Works Reviewed
- Johannes Auer, René Bauer and Beat Suter, “searchSonata 181 {2010}”
- Alan Bigelow:
- Serge Bouchardon:
- Paul Bogaert, “You’re Lying and You Filter”
- Phillipe Bootz, “petite brosse à dépoussiérer la fiction" (“small brush to dust off fiction)"
- Jeremy Douglass, "Eight was where it ended"
- Caitlin Fisher, "Circle"
- J.R. Carpenter,
- Megan Heyward, "Of day, of Night"
- Daniel C. Howe, "Automatype"
- Jhave, "Extinction Elegies"
- LAinundacion, "LA Flood"
- Jason Edward Lewis, “The P.o.E.M.M. Cycle”
- Eric LeMay, "Mondrian Mood", "Still Life"
- A.J. Patrick Liszkiewicz, “AFEELD”
- Judy Malloy:
- Chris Mann, “theuse.info”
- Lello Masucci, “I love you”
- Pelayo Mendez, ACTIEOP, disfunciones poéticas del lenguaje
- Jason Nelson, “Variegated Southlands”
- mez breeze, “_feralC_”
- mez breeze + shane hinton, “_:terror(aw)ed patches:_”
- Alexander Mouton, “Passing Through”
- Sally Rodgers & Steve Jones, “Maud”
- Alexandra Saemmer, “Böhmische Dörfer”
- Mark Sample, “Takei, George”
- Christine Wilks, “Rememori”
- Jody Zellen, “Spine Sonnet"
|
Works Not Reviewed
- Sepand Ansari & Raschin Fatemi, “Waiting For Gwodot: A Tragicomedy in HTML”
- Josephine Anstey, Dave Pape, Intermedia Performance Studio, “Office Diva”
- John F. Barber, “Sounds of My Life :: A Sixties Radio Narrative”
- J.R. Carpenter, “STRUTS”
- Alison Clifford & Graeme Truslove, “Substratum” & “Palimpsest”
- Roderick Coover, Nick Montfort, and Scott Rettberg, “Three Rails Live”
- Brian Evans, “Arlequi”
- Grégory Fabre, “Oblique or /”
- Natalia Fedorova, Machine Libertine project: “Just Do Not Not Do It,” "In your voice," “Snow Queen”
- Angela Ferraiolo, “Subway”
- Jeff Knowlton, “On the Spot”
- Yong Hun Kim, “10000 Faces at Funeral, The Aleph” & “10000 Faces at Birthday Party, The Aleph”
- Eric LeMay, "Losing the Lottery"
- Will Luers, Roger Dean, and Hazel Smith, “Film of Sound”
- Judy Malloy:
- Bill Miller, “gridworks_textanimation_2010”
- Jason Nelson, “With Love from a Failed Planet”
- Greg J. Smith & Erik Loyer, “Critical Selections”
- Alan Sondheim, “Various Works”
- Steve Tomasula, “TOC: A New Media Novel”
- Graeme Truslove, “Concrètisations X”
- Laura Zaylea, “Velcro & Cupcakes: QR Codes in a Public Art Context”
|