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Short form scholarship on digital poetry.

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"_cross.ova.ing ][4rm.blog.2.log][_ " by Mez

February 21, 2012
When you encounter work by Mez, the first thing that jumps out is her idiosyncratic use of language, which she calls “mezangelle” and I can describe as a mixture of code, English, ASCII art, and phonetic and rebus writing. You don’t need to be able to read code to understand her writing, but it helps to recognize its basic structure, components, and conventions.For example, the image above uses HTML tagging system to invent codes such as <tremor> <fracture> and <polymer>, organized visually with convention used for tables and lists, and concluding what seems like a painful moment by closing the tags </polymer>, </fracture>, </tremor>.Mez has been drawing attention to language in digital environments since the mid 1990s and while her first-generation digital objects are humble text files distributed through listservs, blogs, and social media, they contain code designed to run in the most flexible processors available: human brains.

Featured in Electronic Literature Collection, Volume 2.    
Read this work ELMCIP
Entry by: Leonardo Flores
Categories: 2010, e-poetry, Electronic Literature Collection, Volume 2, Entries, poetry, static, text, 2010
Author(s): mez

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