“Zig and Zag” por Sérgio Caparelli y Ana Cláudia Gruszynski

zigzag1
Abrir “Zig and Zag” por Sérgio Caparelli y Ana Cláudia Gruszynski.

Zig and Zag” es uno de los diez ciberpoesmas creados por el escritor Sérgio Capparelli y la diseñadora gráfica Ana Cláudia Gruszynski para el sitio web “Ciberpoesia” que presenta una serie de 28 poemas visuales creados por el dúo brasileño. Al igual que “Bembo’s Zoo”, esto es más que solo versiones digitales de poemas visuales publicados también en un libro impreso, los ciberpoemas de Capparelli y Gruszynski tienen un importante papel educativo, atrae el interés de niños y jóvenes por la poesía digital a través de creatividad y estímulo presentación.

Read more

“Zig and Zag” by Sérgio Caparelli and Ana Cláudia Gruszynski.

zigzag1
Open “Zig and Zag” by Sérgio Caparelli and Ana Cláudia Gruszynski.

Zig and Zag” is one of ten ciberpoems created by the writer Sérgio Capparelli and the graphic designer Ana Cláudia Gruszynski for “Ciberpoesia” website that features a series of 28 visual poems created by the Brazilian duo. Like “Bembo’s Zoo,” this is more than just digital versions for visual poems also published in a printed book, the ciberpoems of Capparelli and Gruszynski has an important educational role, it catches the interest of children and youth for digital poetry through creative and stimulating presentation.

Read more

“Code Movie 1” por Giselle Beiguelman, con música de Helga Stein

Screen capture from "“Code Movie 1″ by Giselle Beiguelman, with music by Helga Stein. Arrangement of two digit numbers with interspersed letters on a white background. Top and bottom of image are obscured by thick black scribbles.
Abrir “Code Movie 1”  por Giselle Beiguelman

Code-Movies #1 es un proyecto de poesía electrónica desarrollado por la investigadora y artista multimedia brasileña Giselle Beiguelman. El proyecto integra una serie titulada / / ** Code-UP, desarrollada a partir de 2004. / / ** Code-UP es un proyecto basado en la manipulación algorítmica de imágenes capturadas con teléfonos móviles. La fuente de las imágenes de / / ** Code-UP son los cuadros de Blow-Up (1966), la primera película en Inglés del director italiano Michelangelo Antonioni.

La elección de Blow-up por Bielguelman no fue un accidente. El guión cinematográfico de Antonioni está inspirado en la historia “Blow-up” (1959) escrita por el escritor argentino Julio Cortázar. En la historia, un fotógrafo se obsesiona con las circunstancias probables que rodean una fotografía que hace de una mujer desconocida y un niño en un parque parisino. El cuento de Cortázar revela la narrativa literaria a través de un visor de imágenes fotográficas que ofrece sus múltiples capas de significado del objeto o escena representada. 

Read more

“Code Movie 1” by Giselle Beiguelman, with music by Helga Stein

Screen capture from "“Code Movie 1″ by Giselle Beiguelman, with music by Helga Stein. Arrangement of two digit numbers with interspersed letters on a white background. Top and bottom of image are obscured by thick black scribbles.
Open “Code Movie 1”  by Giselle Beiguelman

Code-Movies #1 is an e-poetry project developed by Brazilian researcher and multimedia artist Giselle Beiguelman. The project integrates a series titled / / ** Code-UP, developed from 2004. / / ** Code-UP is an project based on algorithmic manipulation of images captured with mobile phones. The source of the images of / / ** Code-UP are the frames of Blow-Up (1966), the first film in English from the Italian director, Michelangelo Antonioni.

The choice of Blow-up by Bielguelman was no accident. The Antonioni´s film script is inspired by the story “Blow-up” (1959) written by Argentine writer Julio Cortázar. In the tale, a photographer becomes obsessed with the probable circumstances surrounding a photograph that he makes of an unknown woman and a young boy in a Parisian park. Cortazar´s tale reveals the literary narrative through a photographic image viewer that offers its multiple layers of meaning of the object or scene depicted.

Read more

“Minicontos Coloridos” por Marcelo Spalding et al.

Screen capture from Minicontos Coloridos 1 by Marcelo Spalding et al. On a white background,the title is "Minicontos Coloridos." "Minicontos" is colored black and "Coloridos" is in multicolor. Smaller text in black follows.
Abrir “Minicontos Coloridos” por Marcelo Spalding, et. al.

Minicontos Coloridos  es un proyecto colaborativo concebido por el periodista, escritor y maestro brasileño Marcelo Spalding en 2013. Los cuentos cortos se asocian estructural y conceptualmente con los colores de una manera lúdica. Para acceder a las historias, el lector debe mezclar los colores RGB principales a través de un menú desplegable disponible en el sitio web en HTML que aloja la interfaz de cuentos. El sitio web ofrece tres opciones de mezcla para cada uno de los tres colores primarios, que suman un total de 27 cuentos cortos.

Read more

“Minicontos Coloridos” by Marcelo Spalding et al.

Screen capture from Minicontos Coloridos 1 by Marcelo Spalding et al. On a white background,the title is "Minicontos Coloridos." "Minicontos" is colored black and "Coloridos" is in multicolor. Smaller text in black follows.
Open “Minicontos Coloridos” by Marcelo Spalding, et. al.

Minicontos Coloridos  is a collaborative project conceived by Brazilian journalist, writer and teacher Marcelo Spalding in 2013. The short tales are structurally and conceptually associated with colors in a playful way. To access the stories, the reader should mix the primary RGB colors through a pull down menu available on the website in HTML which hosts the tales interface. The website offers three blending options for each of the three primary colors, totaling 27 short tales.

Read more

“Memory” by Alckmar Luiz dos Santos and Gilbertto Prado

Screen capture of "Memory" by Alckmar Luiz dos Santos and Gilbertto Prado. Words and numbers are seen through a fisheye lens, distorting the image into circular shapes. Text: "(illegible)"
Open “Memory” by Alckmar Luiz dos Santos and Gilbertto Prado

Memory” is an interactive digital poem composed by kinetic texts and speech sound programmed in Flash by Brazilian researchers and digital poets Alckmar Luiz dos Santos and Gilberto Prado.

Read more

“Take it” by Wilton Azevedo

Still from "Take it" by Wilton Acevedo
Still from “Take it” by Wilton Azevedo

Take it (2013) is a digital videopoem created by the Brazilian digital poet Wilton Azevedo. Conceived originally in English, this videopoem consists of video images that intertwine the verses constantly moving across frame according to the soundtrack frequency through an interface with a Processing script.

Read more

“Take it” por Wilton Azevedo

Still from "Take it" by Wilton Acevedo

Take it (2013) es un videopoema digital creado por el poeta digital brasileño Wilton Azevedo. Concebido originalmente en Inglés, este videopoema consiste en imágenes de video que entrelazan los versos moviéndose constantemente a través del cuadro de acuerdo con la frecuencia de la banda sonora a través de una interfaz con un script de procesamiento.

Read more