“Debasheesh Parveen” and “Ariadna Alfil” by Eugenio Tisselli

Open “Debasheesh Parveen” and “Ariadna Alfil” by Eugenio Tisselli

These two “Facebots” (Facebook bots) were created in the last days of 2009 and quickly began to make friends, post images, and make cryptic status updates, commenting on each other’s updates. They started a relationship on January 13, 2010 and got married (that is, changed their relationship status to “married” on Facebook) on March 21, 2010. Ever since they have both been making status updates automatically every hour, (Ariadna every 2 hours) using the algorithm described below:

Debasheesh Parveen is one of the 99 Sacred Names of the Internet. It is also an algorithm:

1. Debasheesh Parveen takes a random news headline from the Al Jazeera feed.
2. The headline is distorted using a text-manipulation algorithm.
3. One of the words of the headline is chosen to search for an image on the Internet.
4. The headline and the image are posted to Debasheesh Parveen’s Facebook profile.

This happens automatically, at regular intervals.

Read more“Debasheesh Parveen” and “Ariadna Alfil” by Eugenio Tisselli

“Yes, really” by Katharine Norman

Open: “Yes, really” by Katharine Norman

This “fiction for three voices” is sent via e-mail to readers’ inboxes every five minutes until all seven mailings are delivered. This story is told using an epistolary style in which two characters (Josie and Doreen) are writing e-mail messages to a loved one and friend (respectively), and one character (Annie) whose stream-of-consciousness arrives as an e-mail. Annie cannot type or dictate because she is blind, deaf, mute, and mentally handicapped from birth— a “disabled resident” in the “C-block Special Care unit—” so as readers we need to be willing to accept these e-mails from her as a way to access her perspective. Her voice is the most poetic aspect of this work, presenting visually textured messages that contain both ASCii art and interspersed lines of highly metaphoric free verse.

Whether you read the e-mails as they arrive, or simply in order, the interconnected stories, situations, and perspective of each character will enrich the narrative, developing in directions full of irony, reversals of fortune, and changes in attitudes— including your own.

Yes, really.

Featured in New Media Writing Prize 2010

“searchSonata 181” by Johannes Auer and AND-OR

"searchSonata 181" by Johannes Auer and AND-OR
Open “searchSonata 181” by Johannes Auer and AND-OR